4 Way Street: The Crosby, Stills, Nash, and Young Reader by Dave ZimmerAn engrossing collection of exemplary writing on rocks greatest extended family: Crosby, Stills, Nash, and Young, featuring writing by Cameron Crowe, Ben Fong-Torres, Joel Selvin, and more. Crosby, Stills, Nash & Young have been hailed as The American Beatles and Folk-Rocks Mount Rushmore. They launched a trail-blazing acoustic-electric sound in 1969 and have been captivating listeners with their music ever since. Coming together as refugees from three seminal 60s bands-the Byrds, Buffalo Springfield and the Hollies-the combined talents of David Crosby, Stephen Stills, Graham Nash and Neil Young have influenced several generations of musicians while proving to have enduring appeal to fans of all ages. As rock and rolls first supergroup, CSNY generated an enormous amount of media scrutiny-from their galvanizing appearance at Woodstock to multi-platinum, chart-topping albums such as Deja Vu, from David Crosbys miraculous recovery from life-threatening addictions to the bands resurgence for enormously successful concert tours.
Now, noted CSNY historian Dave Zimmer distills the best of the journalism on these four remarkable artists, ranging from group portraits to individual profiles to in-depth interviews to incisive commentary by such writers as Cameron Crowe, Ben Fong-Torres and David Crosby himself. 4 Way Street: The Crosby, Stills, Nash & Young Reader is an open window into one of the most popular groups of all time, offering a fascinating look at their highly charged musical relationships and how they have changed over the decades, along the way revealing a colorful chronicle of the music of an era that continues to echo into the new millennium.
Southern Man (Live)
Between two miserable bootleg albums Wooden Nickel and Live at the Forum, atrocious not so much due to the production imperfections common to bootleg recording but largely because of the wretched workmanship of the group themselves and six cuts on the two Woodstock albums which collectively constituted a monumental disaster in the history of live recording, it seemed to me that, however one might view their two studio albums.
More by Crosby, Stills, Nash & Young
As it happened, despite some phenomenal music-making on-stage that summer, the tour was fraught with personal conflicts, and the quartet split up upon its completion. But then came 4 Way Street , released in April of a live double-LP set, chock-full of superb music distilled down from a bunch of nights on that tour that more than fulfilled the promise of the group. Indeed, contained on those original four LP sides was the embodiment of everything great that the unique ethos behind this group -- which was not a "group" but four individuals working together -- might have yielded. Each of the participants got to show off a significant chunk of his best work, whether presented alone or in tandem with the others, and the shared repertory -- "Long Time Gone," "Ohio" etc. Although Neil Young and Stephen Stills had the advantage of the highest wattage on their songs and their jams together, David Crosby and Graham Nash more than manage to hold their own, not only with some strong and distinctive songs, but also with a strong case that less could be more: they reached the more introspective members of their audience, mostly individually, while Stills and Young wowed the crowds collectively. In many respects, this was the greatest part of the legacy that the foursome left behind, though it is also a bit unfair to stack it up next to, say, Deja Vu , as 4 Way Street had the advantage of all four participants ranging freely across a combined 20 years of repertory.
4 Way Street is the third album by Crosby, Stills & Nash, their second as Crosby, Stills, Nash & Young, and their first live album. It was originally released as.
how many letters do you start with in bananagrams
But with CSNY there were four frontmen, and at various points during their time together, they apparently longed to defenestrate each other. For a band of SoCal hippies, they sure were a fractious bunch; there were feuds between just about every member at one point or another. All these years later, Graham Nash dropped the F-bomb in reference to David Crosby during an interview, declaring the walrus-mustached balladeer persona non grata. Against the odds, CSN had managed to improve upon the wheel by adding Y for the follow-up to their debut album. With Young on board, everything got ratcheted up a notch or two. The vocal harmonies went from glistening and pristine to a more ragged-but-right feel, and songs that felt like friendly folk-rockers gained some serious edge and electric bite.