Chaos: Making a New Science by James GleickFew writers distinguish themselves by their ability to write about complicated, even obscure topics clearly and engagingly. In Chaos, James Gleick, a former science writer for the New York Times, shows that he resides in this exclusive category. Here he takes on the job of depicting the first years of the study of chaos--the seemingly random patterns that characterise many natural phenomena.
This is not a purely technical book. Instead, it focuses as much on the scientists studying chaos as on the chaos itself. In the pages of Gleicks book, the reader meets dozens of extraordinary and eccentric people. For instance, Mitchell Feigenbaum, who constructed and regulated his life by a 26-hour clock and watched his waking hours come in and out of phase with those of his coworkers at Los Alamos National Laboratory.
As for chaos itself, Gleick does an outstanding job of explaining the thought processes and investigative techniques that researchers bring to bear on chaos problems. Rather than attempt to explain Julia sets, Lorenz attractors and the Mandelbrot Set with gigantically complicated equations, Chaos relies on sketches, photographs and Gleicks wonderful descriptive prose. --Christine Buttery
Chaos, making a new science
Chaos: Making a New Science is a debut non-fiction book by James Gleick that initially introduced the principles and early development of the chaos theory to the public. Being the first popular book about chaos theory, it describes the Mandelbrot set , Julia sets , and Lorenz attractors without using complicated mathematics. It portrays the efforts of dozens of scientists whose separate work contributed to the developing field. The text remains in print and is widely used as an introduction to the topic for the mathematical layperson. An enhanced ebook edition was released by Open Road Media in , adding embedded video and hyperlinked notes. Robert Sapolsky said that, "Chaos is the first book since Baby Beluga where I've gotten to the last page and immediately started reading it over again from the front. Freeman Dyson critiqued the book for omitting the earlier work of Dame Mary L.
The book frequently returns to the information in Chapter 1, particularly the work of Edward Lorenz. Gleick begins by discussing the weather simulator created by Edward Lorenz. The weather changed slowly yet it never rained, seasons never changed, and nightfall never arrived. Instead, the weather was always a permanent, dry condition as if it was the middle of the day in some midseason. Lorenz had created a type of weather Camelot. The year was
Acknowledgement : This work has been summarized using the edition—page numbers reference that edition. Quotations are for the most part taken from that work, as are paraphrases of its commentary. Overall impression : A good early popularization of an otherwise widely scattered and important body of knowledge. Edward Lorenz creates a simple weather model in which small changes in starting conditions led to a marked "catastrophic" changes in outcome called "sensitive dependence on initial conditions" —i. Thus long-range prediction of imprecisely measured systems becomes an impossibility. He also found repetition which was never quite identical and studied non-linear systems that never attain a steady-state.
James Gleick: Chaos: Making A New Science Summary by Michael McGoodwin, prepared , Fractals and the onset of Chaos.
i don t like where this is going
Aug 26, ISBN In Chaos , Gleick makes the story of chaos theory not only fascinating but also accessible to beginners, and opens our eyes to a surprising new view of the universe. His books have been translated into 30… More about James Gleick. Reading it gave me that sensation that someone had just found the light switch. The computer misbehaves.
Get it Here! I n his book, 'Chaos: Making a New Science' , James Gleick chronicles the emergence of chaos theory from the first romantic insights to the dire ordeals endured by a few courageous thinkers. F ew writers distinguish themselves by their ability to write about complicated, even obscure topics clearly and engagingly. J ames Gleick, a former science writer for the New York Times , resides in this exclusive category. I n Chaos , he takes on the job of depicting the first years of the study of chaos -- the seemingly random patterns that characterize many natural phenomena.